Listen to Me! No! Listen to Me!

The Talking Heads of Writing

D. A. Ratliff

I am one of those nerdy types constantly looking for new information. When I decided to start writing fiction again after many years of writing business and marketing-related materials, I scoured the Internet for every morsel of writing advice I could find. The amount of material I found was overwhelming, but I dove in without taking a breath. I wanted to learn.

What I found fulfilled my needs, but I also found that, apparently, everyone who has ever written considers themselves an expert. The myriad of articles, blogs, podcasts, and YouTube videos are mind-bogglingly confusing, with almost all of these ‘experts’ saying the identical thing. The difference is how they offer their “expertise.”

My background is in science, so I took a rudimentary approach. I had taken creative writing in high school and college, but I decided to start with general information. I researched topics such as writing fiction for beginners, components of a good fiction novel, and how to write mysteries or science fiction. After looking at overviews of the craft, I pared my searches down to the basics.

Among my first questions were these:

• How to write an opening sentence
• How to write a hook
• How to write an opening paragraph, a first chapter

Well, you get the idea—totally back to basics.

I wasn’t a novice, but years of writing nonfiction suck the soul out of writing fiction. I needed to relearn how to put the reader into the story for more than information. I needed them to feel the emotion of what they were reading. I searched for information on developing characters, plots, world-building, voice, structure, and grammar, among other topics.

Whether a beginning writer or one who believes in continuing education, the resources available to us are amazing. We can have information from the Internet in seconds that could take hours to find the conventional way open to us—libraries.

Libraries had librarians. Those individuals who spoke softly and always found the answers you sought. If you needed information on any subject, there would be stacks of books or periodicals in front of you, ready for exploration within a blink of an eye.

Today, while my love of libraries will never wane, my librarians are more often Internet search engines. The process is not as personal, but the information is instantaneous. It is also confusing.

There are basic steps to writing. While all of us like to be creative individuals, the art of storytelling is an ancient one and varies little from the beginning of the spoken and written word. Stories have a beginning, a middle, and an end. That pattern does not change. Our creativity is in how we construct our story.

With the Internet’s assistance, we can learn the basics and the nuances of storytelling by asking questions. For example, I typed in this search request. How to write an opening line for a novel.

The result? “About 373,000,000 results (0.67 seconds)” was the response from the search engine for all results.

For videos? The results were—“About 3,720,000 results (0.46 seconds).” That is a lot of videos for a very narrow topic.

For videos? The results were—“About 3,720,000 results (0.46 seconds).” That is a lot of videos for a very narrow topic.

I admit to a love-hate relationship with writers and videos. There is one author who I came across a few years ago whose advice I found to be excellent and delivered in a fun and irreverent manner. I followed this author and her advice for a long time, until recently. Her videos have become solely marketing tools for her books and merchandise. There is nothing wrong with promotion, and she has built her following and has every right to market her work to them or anyone.

However, when I am going to her for advice on a topic, having her book discussed before she addresses the subject is annoying, and she lost me as a follower. Not like there aren’t more writing advisors out there. Unfortunately, there are.

For example, one author is bright and cheery but distracted during her rushed delivery. Her camera fell during a taping and, instead of starting over, she frantically grabbed the camera, placed it where she had it, and kept talking. It was annoying and distracting, and she should have stopped and started over, but she did not. Another time, she yelled at her dog for barking. If you want me to respect you as an expert, conduct yourself like one. Her advice was nothing we haven’t heard before, so delivery and connection to the audience are imperative.

There is another famous video writing guru who has produced many YouTube videos. This is more of a personal quirk of mine, but please don’t talk down to the listener and don’t declare how proficient you are on a topic, prove it. In one video, she discussed outdated genres and tropes and noted that some genres are dead in traditional publishing but do well in self-publishing. As her focus and her professed expertise concern traditional publishing, her bias is there as well. If a genre is not selling one place but selling in another, it is not dead but subject to other markets and readers. As a writer, never forget, your success in traditional publishing is at the whim of agents, publishing house editors, and marketing staff. Your novel may be exceptional, but if it does not fit their cubbyholes, the odds of receiving a publishing contract are slim. When reaching out to find qualified advice, read the author’s bio and listen to their intent, as not all advice applies to your situation.

I am not saying that any of the abovementioned writers’ videos don’t have good advice. Advice is subjective and how we learn varies from one person to another. However, I want to offer a word of caution as many authors imparting their ‘knowledge’ do not provide sound advice.

To appear unique, people want to take the basics of writing and spin the ideas into a new way of thinking or processing the information. That’s not necessarily a bad thing, but when two plus two equals four, there is little room for stating that fact any other way. Overembellishing a process often leads to confusion, especially for a novice writer.

There are hundreds of processes offered as the way to write the best novel ever. The list is endless. There are numerous character development or world-building forms, specialty writing programs, name or plot generators, and different ways to plot—all ways to accomplish the same goal we all have, to write a novel.

When researching the writing process, you should read all the information you can but be wary of who you are listening to when you take lessons away from your reading. The first Internet search results will be the most popular ones, and often you will see the same writing websites or blogs listed. Popularity does not always mean quality, but if writers use the same sites for advice, there is a reason. You should read all the articles, watch all the videos, take a writing class, and read books with one thought in mind. Take the information that you gather and apply it to your writing process to fit your style. You should be unique, not the person providing writing tips.

The US Navy came up with an acronym, KISS, which stands for Keep It Simple, Stupid. It applies to writers. Learn all that you can about your craft but remember the basics of writing. There is a beginning, a middle, and an end, and only you can write your story.

Listen to yourself.

Please visit D. A. Ratliff on her blog: https://thecoastalquill.wordpress.com

Please note: Images are free use and require no attribution. Images used by Gerd Altmann from Pixabay.

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For the Want of a Crystal Ball

D. A. Ratliff

Images used are free-use images and do not require attribution. 
Image by GimpWorkshop from Pixabay.

Writing. Can’t live with it. Can’t live without it.

Ask anyone who has the urge—no, the need—to write, and they will tell you that once that creative need possesses you, you have to write. I feel a compulsion to write and immense satisfaction that regardless of whether anyone else reads my words, that I wrote them.

A while back, a fellow author asked me to write an article about my writing journey for her blog. Like all writers, I had the usual reasons—a love of reading and influences in the form of my father and my favorite elementary school teacher to spur me to write. But what keeps me writing?

As a fan of mystery novels and action thrillers, my reading, when I can find time for it, centers on works from authors like Michael Connelly, Clive Cussler, or John D. MacDonald. Throw in a good sci-fi or fantasy, and I am a happy reader. When the urge to write began to creep into my soul early in my life, I envisioned being a famous mystery author someday. Of course, I was twelve at the time, so I suppose that daydream wasn’t too embarrassing then. Now, that same desire to publish a mystery novel remains, but hopefully without the delusions of grandeur my twelve-year-old self expected.

I have the good fortune (or, on most days, good fortune) to be an administrator for a large writing group on Facebook. There are many reasons that it is an enjoyable opportunity. Engaging with members at all levels of writing is cathartic. Most writers can identify with the confusion and timidity of novice writers as we have all been there. The experienced and published authors offer guidance and encouragement to those of us who strive to publish our first novel.

All right… let’s get personal—my first novel.

That’s where a crystal ball to tell the future would come in handy.

When I first had the urge to write again after many years, and more importantly, the time, I decided to hone my rusty writing skills by writing fanfiction. While working, I wrote many personal and training manuals, newsletters, marketing material, advertising copy, and the like but zero fiction. As there is a distinct difference in writing fiction and non-fiction (although there is a movement toward creative non-fiction, which is another discussion entirely), I felt writing fanfiction about my favorite canceled science-fiction series would be just the exercise I needed.

I jumped in, and by the time I finished, I had written eighty stories (from short stories to novellas). I believed that by not needing to create the characters or world build, I could concentrate on story development. Once I felt confident in my storytelling ability, I began to create original characters to interact with the canon characters and soon moved on to world building. When I decided my skills were strong enough, I embarked on writing a science fiction/murder mystery/romance.

Okay, pretty ambitious combination of genres and only possible because Amazon/KDP provides a platform for mixed genres that traditional publishers and their narrow marketing programs don’t allow. I finished that novel, all 116,000 words of it. I haven’t published it.

Then I began writing a murder mystery with the main character a photographer. A cozy mystery of sorts with romance thrown in the mix. I finished it. I haven’t published it.

Next, another novel, another murder mystery/thriller with the main character a lawyer but the secondary character a police chief. I finished it. I haven’t published it.

And then—a detective murder mystery intended to be a series. I haven’t quite finished it, but… you get the picture.

So why haven’t I published?

Good question.

Why the heck haven’t I?

That’s where a crystal ball would have come in handy. Seeing what my future was going to be might have facilitated planning things a bit better.

I am not alone. Many of us have finished manuscripts we have yet to query to an agent or find a publisher or self-publish. There are some inherent issues with finding agents and traditional publishers, time being one of them. The process of querying an agent, securing one, and having them find a publisher is tedious and anything but fast. Going directly to a publisher is no guarantee that the process will be any faster.

The time and effort to publish the traditional route is a difficult one that requires patience. Besides, writing a query letter and a book synopsis is more challenging than writing a book. I have drafted a lot of query letters and hated each one of them.

That takes us to self-publishing. A more straightforward path but still wrought with problems. I don’t know about you, but I choose my writing to be grammatically and structurally correct. However, when publishing on one’s own, hiring a professional editor can be expensive but necessary. That issue alone can keep us from hiring an editor.

Don’t forget that pesky cover. What do all the “experts” tell us? The cover of our book needs to be catchy, tasteful, and reflect the book’s plot. Well, no pressure there.

This costs money. Money we may never recoup after publication. So what do those who decide I want to publish, and I want to publish now, do? We do the best we can. First, determine a budget and decide if you can live with the fact you may never realize enough royalties from your work to cover the cost of preparing the book for publication. If you can do that, then search for editors who offer a discount or charge little to start with, but don’t forget the adage that you get what you pay for, because it’s true.

Inexpensive book cover designers advertise on several websites, but please be wary of the “cover for Five dollars” mantra. Again, you get what you… well, you know, so always get references.

But that’s not the only reason that many of us drag our heels before we commit to publishing.

In my case, I am fortunate to have friends who deal with the English language and writing every day who are willing to read my work for grammar mistakes. I also embarked upon educating myself on writing cleaner with fewer grammar mistakes and writing proper structure. Do I use a grammar program? Yes, I do, and I realize grammar programs are not perfect, so I rely on the kindness of my friends to tell me to stop writing comma slices. I hear that a lot.

I am also lucky to have some skill with Photoshop and a decent eye, so I create my covers. I still have them critiqued but so far, so good. That saves me money, but the angst of doing a decent job on a cover is always present.

It would appear my procrastination at publishing is moot. Yet, I haven’t published.

What is my problem?

I think my problem is a lot like all authors who are on the verge of publishing. Life gets in the way. Or at least, we allow it to.

I finished the science-fiction novel just as a family issue arose, and I became a caregiver. Then one personal issue and another, and I’ll stop here. There isn’t anyone who cannot identify with this scenario. I like to tell myself that the time I spend dealing with the large writing group, which takes a great deal of my time, is another reason. After all, we have published five anthologies, and the sixth one is going to press. That takes time.

Okay… that’s an excuse.

And now I have run out of them.

It is time to do this. I have always been a proactive person in most situations but a tad lax when it comes to my own needs.

Please don’t do what I have done. Remember, your needs are essential, and for whatever reason you wish to publish, for money, for possible fame, or the satisfaction of accomplishing your goal, just do it. There is a reader out there who will enjoy your story.

Me? I gazed into that crystal ball. I see a published book with my name on it soon.